Powerful with a maximum of musicality

The primary development goal of this series was to create a powerful non-switching pure class A amplifier with the lowest possible output impedance that would contribute to a better signal and less noise, thus improving speaker performance, resulting in a much more organic sound and more musicality.

Technologies and Components

Through a long and intensive research and development process, Aavik’s engineering team identified several characteristic elements in the traditional Class A amplifier design that could be improved, which has had a very positive effect on the soundstage and musicality.

To create the best and most effective control section, Aavik’s engineering department has carefully tested and evaluated each electronic component to ensure both the lowest possible noise floor and further refinement of the signal. The ultimate goal of this thorough approach is for the amplifier to unlock a dynamic musical range that projects even the smallest musical details onto a palpably larger soundstage with an extremely quiet background.

Switchless optical input board

LDR based.
The LDR (Light dependent resistor) is ultra quiet thanks to the switchless principle. The traditional switch arrays and relays are more noisy. They suppress subtle sound details and unnaturally color the tone.

The 880 cabinet design

A study of materials and shapes

The exterior design of the Aavik 880 amplifier is the result of Flemming Erik Rasmussen’s artistic and aesthetic work. However, his design philosophy is and always has been that design must serve purpose. The cabinet of the Aavik 880 amplifier was designed primarily with the goal of maintaining the best audio characteristics of the electrical design, i.e. the lowest inductance, reducing hysteresis to an absolute minimum, and ensuring excellent resonance control. In addition, since this was a Class A amplifier that was to be developed, there were some predefined premises for the design. With these goals in mind, the design process became a study of shapes and materials that opened up a unique and constructive synergy between Flemming Erik Rasmussen and Michael Børresen.

In addition, the amplifier features cooling elements on the sides and top that clearly bear Flemming’s design signature. The outer part of the volume button is covered with titanium, and the control panel is designed as a large LCD touchscreen display.

The choice of materials, as well as the interior and exterior design, are the result of Fleming and Michael’s collaboration and are characterized by functionality, but also by a very aesthetic and elegant design.

Bottom plate sandwich construction

The bottom plate is designed as a sandwich construction with a copper plate, a heavy compact laminate plate, and a titanium layer on the bottom. This unique sandwich construction ensures minimum resonance and supports a natural and organic sound.

The solid copper enclosure

Based on Flemming Erik Rasmussen’s fascination with copper for its visual appearance and feel, and Michael Børresen’s insight into the sonic properties of copper, this material was chosen as a fundamental component of the design. As a result, the Aavik 880 amplifiers feature a solid copper enclosure. This results in a further reduction in hysteresis, lower output impedance, lower inductance, a positive effect on the damping factor, and cooler operation of the amplifier. All these components ensure that the music is reproduced with more energy and power.

Active Analog Crossover

The Aavik active analog crossover secures a precise timing in the delivery of sound signals to the receiving components. This is essential to avoid a harsh and compressed sound. The Aavik active crossover has been designed to either very precisely control a subwoofer or with the integrated low pass and high pass filter to control a 2.1 home theater system. Alternatively, Aavik’s analog crossover can function as analog room correction control.

Excellent and absolutely precise subwoofer control
Since the crossover is analog, there is no latency. The timing of the signal transfer to both the speakers and the subwoofer is absolutely precise. This results in an utmost pristine and authentic sound. Other conventional crossovers, such as DSP transport the signal through a digital circuit. This results in a latency of 15-20 msec. The effect of a failing precision in the timing of the signal transfer to the speakers, respectively the subwoofer, impairs an authentic audio reproduction, creates a compressed sound and adds a harsh tone to the music.

Control your home theater and your 2.1 audio setup
By using the low pass and high pass filter, the sound performance of your individual speakers can be optimized. When directing the low frequencies to the subwoofer, more energy to the main speakers will be released. To ensure an even volume of the speakers and the subwoofer, the gain on the high pass and the low pass filter can separately be controlled.

Analog Room Correction – prevent “Room Boom”, the annoying pressure resonance
Room correction is a matter of identifying and eliminating room resonance. The one specific resonance that creates an unpleasant and disturbing sound is a pressure resonance resulting from the given size of the room – subjectively, it feels like a “boom” emanating from the speakers. To eliminate this room specific resonance, the Aavik amplifiers can adapt their audio performance and make allowances for any given room size. Both the low pass and high pass filter allow the listener to set the exact frequency progress around those low frequencies which cause this disturbing ‘Boom’ effect.

The Tesla coil principle

The principle is to have two coils that are wounded in each direction / a coil and a counter coil. In Ansuz words: “a double inverted coil” – the two coils are both carrying voltage – and when the Tesla coil encounters a voltage spike a counter spike is activated in order to eliminate the noise. As Noise spikes are pure voltage and carries virtually no charge, the cancelation is quite good, but not 100%. By adding more P-TC coils in parallel the performance increases. By implementing this the perceived blackness in the music improves significantly.

Ansuz Tesla coils are available in various types as they complement each other in terms of strengths /weaknesses.

Analog dither technology 3rd generation

A 3rd generation of the Ansuz analog dither technology has been developed. Analog dither technology originated in radar, where it ensured a stronger signal and thus greater range. The active Tesla coils send pulsating signals at precisely defined frequencies. These signals are sent in anti-phase. This significantly amplifies the musical signal and eliminates the background noise floor.

Analysis and studies have led to new options – and a lot of listening has resulted in this 3rd generation design which is a further optimization of the most effective frequencies which opens the soundscape even more and with the tiniest details when it comes to reproduction of the recordings.

Active Tesla coil

Effective noise killer.
The active Tesla coils are power supplied which secures a remarkable lower impedance and thus a better ability to eliminate noise. The active version is about three to four times more efficient than passive Tesla coils.

Active square Tesla coils

Impressive noise reduction.
The active square Tesla coils are embedded in our circuitry boards – one coil on the top and the counter coil on the rear side. The principle is exactly the same as the active Tesla coil and thus a great ability to eliminate noise than the passive Tesla coil.

Anti aerial resonance coil technology

Prevents airborne noise.
All cables and cable screens are acting like antennas for airborne RF noise which of course is a huge problem. The passive cable Tesla coil is wounded on the external part of the cable and protects the signal from absorbing the airborne RF noise. This noise is absorbed in the Tesla coil.

As there is a voltage running in the conductor itself, and it is wounded in the counter direction – this is used as the counter coil and the RF noise is then eliminated.

Active zirconium anti aerial resonance Tesla coil

Based on Ansuz general curiosity on the properties of different materials, Ansuz has implemented a zirconium bar in their anti aerial resonance coil design. This is another impressive upgrade to the Ansuz anti aerial resonance coil technology.

The properties of this zirconium bar allow for unprecedented resonance control resulting in outstanding musical refinement that creates a natural soundstage, unrivalled in its purity, precision and attention to musical detail.

Active zirconium cable anti aerial resonance Tesla coil

When Aavik designs new audio equipment, one of the main tasks is always to eliminate as much unwanted noise as possible to provide uncompromising musical authenticity. Therefore, Aavik always integrates the most effective Tesla coil technologies from the sister brand Ansuz into the Aavik products. Audio Group Denmark has learned that many technologically groundbreaking advances in product development of its three individual brands, Ansuz, Aavik and Børresen, can often be leveraged across brands. The knowledge and technology sharing that takes place between the three brands has proven to be extremely insightful and valuable.

Based on their studies of the properties of zirconium and their recent experience with the use of zirconium, Ansuz has also designed an active cable zirconium Tesla coil technology. The new design includes not less than three zirconium bars. Furthermore, the Tesla coil itself is extended as well. The complete solution is improving the signal handling dramatically – both in terms of eliminating noise and controlling resonances, ensuring a crystal-clear sound.
The active zirconium cable anti aerial resonance Tesla coils is wound directly on the out part of the cable and protects the signal from absorbing the airborne RF noise. This noise is absorbed in the Tesla coil. The active version is about three to four times more efficient than the passive cable Tesla coil